Library:Hodson/Kingdom of the Gods/Preface

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The Kingdom Of the Gods
Geoffrey Hodson
ILLUSTRATED BY ETHELWYNNE M. QUAIL
THE THEOSOPHICAL PUBLISHING HOUSE Adyar, Chennai 600 020, India • Wheaton, IL, USA




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© The Theosophical
Publishing House, Adyar, 1952
First Edition, Thirteenth Reprint 2007
ISBN 81-7059-060-4 (Hard Cover)
ISBN 81-7059-292-5 (Soft Cover)
Printed at the Vasanta Press The Theosophical Society Adyar, Chennai 600 020, India





A MOUNTAIN GOD NATAL.jpg
 
PLATE 10. A MOUNTAIN GOD NATAL
 

     

 

DEDICATION[edit source]

This book is gratefully dedicated to the late Ethelwynne M. Quail who in March, 1937, provided the illustrations based upon my researches, carried out between 1921 and 1929, during which period six books on the subject were published. Although widely projected as slides throughout the world, the pictures themselves were not published until this book first appeared in 1952.

GEOFFREY HODSON

ACKNOWLEDGEMENTS[edit source]

Acknowledgements are gratefully made for financial help received from Theosophists in Java, New Zealand and America, from the Young Theosophists of Blavatsky Lodge of the Theosophical Society, Sydney, New South Wales, Australia, and Dr. W. M. Davidson of Chicago and his colleagues, who generously helped to meet the cost of publication.

I am especially grateful to my friends Roma and Brian Dunningham for their generosity throughout many years and the provision of much-needed stenographers.

“The philosopher should be a man willing to listen to every gestion but determined to judge for himself. He should not be biased by appearances; have no favourite hypothesis; be of no school; and in doctrine have no master. Truth should be his primary object. If to these qualities he adds industry he may hope indeed to walk within the veil of the Temple of Nature.”

INTRODUCTION[edit source]

ONE day[4] as, on a hillside at the edge of a beech forest in a secluded valley in the West of England, I was seeking ardently to enter the Sanctuary of Nature’s hidden life, for me the heavens suddenly became filled with light. My consciousness was caught up into a realm radiant with that light which never was on land or sea. Gradually I realised the presence of a great Angelic Being, who was doubtless responsible for my elevated state. From his[5] mind to mine there began to flow a stream of ideas concerning the life, the force and the consciousness of the universe and their self-expression as angels and as men. This description is not strictly accurate, however, because during such communication, the sense of duality was reduced to a minimum. Rather did the two centres of consciousness, those of the angel and myself, become almost co-existent, temporarily forming one “being “within which the stream of ideas arose. This, I believe, is essentially true of all interchanges which occur above the level of the formal mind, and especially at those of spiritual Wisdom and spiritual Will. In the latter, duality virtually disappears and oneness, uttermost interior unity, alone remains.

Daily entering that realm of light, I found that the great ocean of the life, the force and the soul of the universe had its myriad denizens. These are the Spiritual Selves of men and Super-men and the vast company of the Angelic Hosts, of which the Being who “addressed “me was a member. He was supernally beautiful, majestic, godlike, and impassive and impersonal to the last degree. As teacher to pupil, he began to tell of—and to enable me, with gradually increasing clarity, to perceive—the Angelic Hosts, their Orders and degrees. He told of their communion with men, as in ancient Greece, Egypt and Eastern lands, their place in Nature as Ministers of the Most High and of that great dawn of creation when, metaphorically, as the Morning Stars they sang together and as the Sons of God they shouted for joy. He spoke of the creative process as the composition and performance of a celestial symphony, of the Logos as Divine Musician and of His universe as a manifestation of celestial harmony. He told of the great Gods who assimilate the mighty creative chords in their primordial potency and relay them through all their ranks from the highest spiritual worlds to the realm of everlasting Archetypes, the great sound-forms upon and by which the physical universe is modelled. Therefrom, he said, the music of the Creative “Word “passes on to the lower worlds, where lesser Hosts formatively echo and re-echo it, thereby building all Nature’s varied forms. Since the Great Artist of the Universe perpetually creates, the Creative Symphony is ever being composed and ever performed. Angels and men live amidst celestial harmonies, the everlasting music of the spheres.

Such, in part, is the vision which once I had and which still lives with me. With it there has come the knowledge that, in their real existence, the Gods who once were so near to men were none other than the Angelic Hosts, that throughout the great racial darkness they have still been near, though unperceived, and that the time approaches when again the Major Creative Powers and Beings, the laws by which Cosmos emerges from chaos and the place of humanity in the vast process of divine manifestation will become apparent to mankind. For that day, it was intimated, man may well prepare. Ugliness must be banished, war must be outlawed, brotherhood must reign, beauty must be enshrined in human hearts and revealed through human lives. Then to a humanity united in one fraternity the High Gods will reveal their immortal loveliness and lend their aid in building a new world in which all men may perceive and serve the Supreme as Beauty and as Truth.

GEOFFREY HODSON

Epsom,

Auckland, New Zealand,

1952.